Monday, November 28, 2011
Simply Brutal Series featuring: Michele McDannold I of III.
Cash Business
Don’t send it
the waxing poetic
is a stick fuck
if I imagined in colors it would be
black and blackblue
if it had feelers, velvet
and punk renditions of showtunes
it’s true that I paint it up to avoid reality
and it’s ugly like that
I suppose that’s the point
in the end
everyone pays for truth
Trick
We were loaded...
skimmin’ down Morton Ave.
at 4 am,
searching for the end of the fog
where the neon light calls
Takhomasak
you had a counter seat,
cup o’ Joe,
the crumbled-up bag at your feet.
laughin’ through your story
drop of coffee in your `stache.
“... so he pulls up and says
he’s got a bag of canned food for a date.
Ain’t that shit funny?
Check it out! I ain’t kiddin’.”
Juicy brown spit flying on pocket amusement.
(Flo caught it on her uniform sleeve, mortified)
A split-second, maybe a full-tick–
a moment between those two
like the liquid in the torpedo shaped plug in lights
blob o blob, floating, suspended.
Realization squirming up uncomfortable mechanisms
of fate blown anguish.
Curtains up. Omega!
I wasn’t sure who to feel sorry for.
disclosure
doesn't it just suck shit that I am not cool. I am not the idea of your black death suck. there is no breathing demon blood in vain. and, well we don't sell happiness here either. got out of that business long ago, but I do believe in magic and since I can find peace in that joy; silly will do. I think I'll be alright.
Labels:
black,
coffee,
disclosure,
fuck,
Michele McDannold,
stick,
Takhomasak,
truth
Friday, November 25, 2011
Black Friday Specials Featuring Bud Smith
SPOUT
i always wanted a gun
now i got you
and you're a beauty
i aim you at animals,
then drag them
into the fire
you set,
inside the cage
of my ribs
BY A FIRE
your cheerleader prayers
and your communion song book
adorned with medals of war devoid of bluebirds
i'm a dog of mud puddles
through my teeth slip a cry
that no museum preserve
that no cop shine his shine light
that no devil open like a can of tuna
to suck the fish water into a mouth wide cursed
your kiss of gold sets my skull into decision
that in this place i am settled
in this place i am yours
shake your pom poms on me
sing your song of God way out of key
pet my wet fur and scratch the fear
from behind my supersonic ears
I am a transporter of insects
and a sideline watcher of your gift of fire
DEFENSE MECHANISM
when things hurt it’s easier to be funny
than to sit there dying with everybody looking
all the glory of medicine and the threat of rain
the mice in the walls &
overtime parking fines unpaid
why does everybody have a balcony
to watch us waiting for them to leave?
why don’t we put up some iron ore curtains
to keep out the neighborhood radiation?
I get the feeling that if the fire is not in your apartment
it's going to be everywhere else
so lets just stay in and be private
rather than turn to ash.
when things hurt it’s easier to be funny
than to sit there dying with everybody looking
LOVE
I will be your only friend
if everybody else puts their hearts back in their suitcases
I'll still be on the lawn
with a space for you in my arms and a notch for you in my spine
I don't blame you at all
though it'd be easy to accuse you of rain clouds and extinctions
you're a comfort to me
when everybody else is a scab that I can't help picking til it's a scar
you know a lot about my dog
and I fed your cat while you were away even though I wanted him to die
love is a battery jumped by another car
that finds you on the side of the road
love is the frozen meat thawing on the counter
love is the search for missing persons after major disasters
though common sense says that they are dead
no common sense in love
I'll take/save the change out my pockets
and I'll buy you a bulletproof vest for judgement day stitched with roses
I'll paint the hospital bed your favorite color
and then I'll burn it so that you'll never have to lay down and squirm
I'll catch all of the birds and make them into a blackbird pie
but you won't have to eat it if you don't like. just know why.
you're a saint in my nights
when everybody else has devoured my birthday cake
love is the guesstimates that are somehow 100% accurate
& allow the sun through the fog to come back up
love is a broken window that we climb through
to get out of the goddamn rain
love is getting stabbed in the neck and having somebody
to close the wound with their mouth
so that you can never die.
Tuesday, November 15, 2011
NEW COLUMN VIA RED FEZ PUBLICATIONS FEATURING THE CHEMIST
FRANKIE METRO'S NEW COLUMN: THE LEFT HANDED SMOKER WILL BE A NEW MONTHLY ADDITION TO THE RED FEZ ENTERTAINMENT LIBRARY; ALONGSIDE PAUL CORMAN ROBERT'S DISPATCHES FROM ATLANTIS AND LUIS RIVAS' THE LAST DAYS OF LOS ANGELES. A PORTION OF VOLUME 1 WAS FIRST FEATURED RIGHT HERE AT THE METH LAB. FREE DOSAGE AT THE DOOR. STICK OUT YOUR TONGUE.
YOU CAN FIND THE LEFT HANDED SMOKER AS WELL AS OTHER GREAT STORIES, VIDEOS, POETRY AND MORE(SOME OF WHICH FEATURING YR FAITHFUL OPERATOR NEWAMBA FLAMINGO AND OTHER METH LAB CONTRIBUTORS) RIGHT HERE @ www.redfez.net
YOU CAN FIND THE LEFT HANDED SMOKER AS WELL AS OTHER GREAT STORIES, VIDEOS, POETRY AND MORE(SOME OF WHICH FEATURING YR FAITHFUL OPERATOR NEWAMBA FLAMINGO AND OTHER METH LAB CONTRIBUTORS) RIGHT HERE @ www.redfez.net
Saturday, November 12, 2011
3 poems by: Jason Ryberg
A LITTLE TOO MUCH TO DREAM
LAST NIGHT (OR, MUSTA THOUGHT
IT WAS WHITE BOY DAY)
with apologies to The Electric Prunes,
Quentin Tarantino and Lawrence Ferlinghetti
She
with the ab-so-lutely hypnotic,
interstellar-black hair
and maliciously exposed mid-riff
(meaning that radioactive area between,
but also including,
upper-most hip bone
and lower-most rib)
asked me to stay
past last call, promising
to spirit me away
from it all (meaning, I suppose,
my otherwise meaningless life
of de-meaning, semi-skilled toil
and celibate drudgery)
to some as yet undisclosed,
but no doubt, exotic locale
for a volatile psycho/
sexual concoction which she guaranteed
would be equal parts intensive research
into the depths of human depravity
and dogged dedication to exhausting
my mental,
physical and
moral reserves.
Whereupon,
I immediately snorted awake,
hours later,
sprawled Golgotha-like
on my living room floor,
my moment of truth
too good to be anything but
a cruel, booze fueled dream,
an alcoholic alien abduction
leaving me
bedraggled
and discombobulated in its wake,
wearing nothing but
a t-shirt and a single black sock (with
big toe protruding through
as if to say “helllooooooo”),
front door and fridge wide open,
every light in the house on
and blazing
like a mid-day desert sun,
one hand clamped on some kind of
suspicious looking Dagwood sandwich,
the other around a half-full beer,
a movie blaring out
into the early morning dark
for all the good people
of the neighborhood to hear,
someone sinister saying,
"shiiit, he musta thought
it was white boy day.
It aint white boy day,is it?
"Naw, man,
it aint white boy day."
GENERATION “WHY ASK WHY”
Oh, by the way,
I ran into an incarnation
of The Buddha the other day
(and a strange variation, I gotta say),
with a mile-high pompadour,
razor-sharp chops and wrap-around shades.
He was comin' out of Davey's Stagecoach Inn
as I was walkin' in like it was fate that
we were somehow supposed to meet, there-in,
('cause I could see it in his eye
and I could tell he could see it in mine).
So, I said I'd been contemplating, lately,
the idea of entering a monestary,
at which he smiled, placidly, in that placid,
all-knowing Buddha sort of way, and asked me "why",
to which I artfully parried with "perhaps
you could first provide an example of what
a proper response might sound like"
but he just replied with "there are no proper
or improper answers, only
the questioning and the answering,"
to which I then said, "purple,"
at which he smiled again and, with what I'd swear
was a tear forming in the corner of his eye, said,
"very wise, little cricket, very wise."
So, of course I shot him where he stood
(you know, just to watch him die);
the Great Modern American Mantra repeating
happily ever after in my mind,
"Why ask why,
why ask why,
why ask why?"
I CAN NEVER REMEMBER EXACTLY
Sometimes, when,
for no reason at all, even,
I'll just bolt upright
(like I been on the road too long
and almost nodded off at the wheel
and then suddenly snap to)
from one of those
deep-freeze sleeps of the senses
that the modern man-in-the-street
seems to be so prone to,
somewhere along the tracks
of my (admittedly extreme) elliptical path
around The Creator's mountain-top tower,
I can never remember, exactly,
whether I'm supposed to be
playing the part of a mouse
in the eye of a falcon,
a falcon in the eye of a storm,
a storm in the eye of The Creator
(of all mice, men, falcons and storms),
or, the "I" somewhere near
the core of a poem
(about a guy, by the way,
that's dreaming he's a mouse
(that's dreaming
it's just some guy,
not a king, not a big shot, not a hero,
just a regular dude)),
a poem forever revolving
around its own foci
like a stake that it's been chained to,
a poem that, according to
the latest estimates and indicators,
will more than likely remain,
for the rest of its unremarkable life,
completely unnoticed.
BIO:
Jason Ryberg is the author of seven books of poetry,
six screenplays, a few short stories, several angry
letters to various magazine and newspaper editors,
and a box full of folders, notebooks and scraps of paper
that could one day be (loosely) construed as a novel.
He is currently an artist-in-residence at The Prospero
Institute of Disquieted Poetics and an aspiring b-movie actor.
His latest collection of poems is Down, Down and Away
(co-authored with Josh Rizer and released by Spartan Press).
He lives in Kansas City, Missouri with a rooster
named Little Red and a billygoat named Giuseppe.
Feel free to look up his skirt at jasonryberg.blogspot.com
Sunday, October 2, 2011
A POEM I DREAMED UP by: Craig Scott
In a dream I wrote a poem with the title "upon learning Bukowski once received a 'fan' letter smeared with feces."
I imagined Garrison Keillor reading it in his dull monotone to a roomful of horrified elderly Midwesterners.
This made me giggle like a 10-year-old thinking about boobies.
I debated the title, using shit instead of feces just so Keillor would say shit, but stuck with feces because feces is a funnier word.
In the dream I read this poem at the Bowery & it went over well, so I read it whenever I read at an open mic & people came up to me afterward and complimented me on the poem except the time I read it at a colon cancer benefit-- few found it appropriate.
In the dream I printed out a copy of the poem & carried it with me wherever I went, even to the weekly public executions in Central Park. An arsonist whose fires killed 3 families was hung & after his bowels evacuated I read the poem.
A black guy passing by called me one crazy white boy.
& then I woke up & wrote this feces.
Friday, September 23, 2011
Missing Merlot
I'm completely baffled as to when, or how...well, maybe not so much how, but when, mind you, we stopped seeing eye to eye. But, this is a horrible way to start things off. Yes, a horrible introduction to what could possibly be a long winded explanation. Someone in the background, may even alert you to the tidbit that:
"Sometimes if you take a lighter to the end of it, the flame makes it flow better."
But, we haven't really begun. You don't even know these people yet. Neither do I for that matter. So, the ending is completely irrelevant at this juncture.
Paulo and Marissa do not even know themselves in all honesty. At least, they are unaware of how their personalities, which purely revolve around elements of their tumutltous marriage-their lavish expense accounts and exploits within the confines of their fully-comped suites at the Wyndham Hotel and Resort or their vile senses of humor and subtle swinger innuendos-affect those around them.
As far as first impressions are concerned, Paulo ÿ Marissa will shower their guests with over-zealous gifts and cheer. All the wine corks are popped. All the food is cooked and shared. All the sheeshah and sativa...smoked openly amongst new and old friends alike. All is offered under the pretext that nothing is deprived or expected, save for the occasional endurance of their behavior.
'Mî cåsa és su cåstîllo!'
It's soon revealed, and truthfully I had my suspicions from the start, that there are always ulterior motives in such arrangements. In fact, through exposure to such conditions-where the wine is opened, but you/I will soon be suspected of stealing a bottle or two without just cause...where all the food is cooked and shared, only to be weighed, denied and hidden somewhere down the road...where the sheeshah and sativa are smoked openly, until imaginary tabs begin to tally unbeknownst to you/I-then you begin to wonder if all human inter-relations do not come with some hidden agenda attached there with...
like a purple-heart for being injured in battle.
You begin to wonder if the source for all decency, compassion and understanding is not directly associated with a lack of conviction, subversive investigation and ultimately, a timely execution.
"But it's okay. We don't have to get along." Paulo said, hunched over the kitchen counter like an obese citadel. "We don't have to feel comfortable around each other-because we're giving you and Lisa two hours to pack your shit and get out."
There was no change in his inflection. His beady eyes did their best to look in any direction but straightforward as he spoke.
"Are you for real man? It's like that all of a sudden?" I asked, calmly rolling my cigarette on the patio, the sliding-glass door the only barrier between two reinforced egos...wide open.
"Well, we can't trust you guys at the house while we're not here. So, you got until I go to bed so we won't have anymore issues like-"
"Dude! We didn't take your fucking wine bottles okay?" I interrupted, paying close scrutiny to my left hand which had begun to shake slightly. "We drink for free at the Slice Parlor; and we drink beer. Fuck! When's the last time you even seen us drink wine 'cept for when your family was here a couple of months ago?"
"We never said you guys stole them." Paulo's chest began to take in a heavy gust of dog-piss-error as he stepped out onto the patio. "But I saw Lisa's MAC charger plugged in next to the wine rack the night before they came up missing. So-"
"That doesn't mean shit and you know it!" I said. "You motherfuckers misplace shit around here all the time!"
Paulo lifted the top of the grill and furiously poked at the charbroiled chicken he had left to the flame out of carelessness.
"Well, you guys got all torn up and defensive when I asked if you had seen them."
"Yea! Because you called minutes before I walked into work...talking about how you may have to kick everyone out of the house. I mean, how did Edwin (another roommate) react when you asked him about it?"
Paulo sunk into one of the iron-mesh chairs. A cloud of dust and arrogance sprung from his ass. "He didn't take it like you guys did. I'll say that much."
"Well," I replied. "I have to be honest-" As I began, Marissa, who before this moment had been looming at the end of the couch inside, and who had kept a busy ear to the conversation's unraveling, suddenly stepped outside to stand behind her husband's left, crooked shoulder, as a sign, I am assuming, of solidarity in their hasty decision. I continued on, unphased by the display of unison. "I've been harboring some shit against you for a while now. I don't know what Edwin's (who is blacker than an onset cavity) feelings are on the matter, but, I did not appreciate you yelling:
'Where the niggers at? I'm hunting for niggers!'
when I was half-asleep in my room a couple of weeks ago. That was a really fucked up thing to say to us and you never apologized to me, or him, for acting like a drunken, retarded bigot."
Marissa rubbed his shoulders while Paulo glanced over his back and into the East mountains of Albuquerque that lay quiet in the distance. "Dude. It's my house." He caressed Marissa's hand, who still refused to make eye contact with me herself. "I can say whatever the fuck I want."
"I understand that...but if you're going to say that stuff, maybe you shouldn't invite two African-Americans to live in your house, or, if you do, be more aware of how your spontaneous racial epitaphs-"
"Wow! Spontaneous racial epigrams! Breaking out the big words on us 'illiterate' types eh?" Paulo stood forcibly from his seat. "Look Anton, I don't see what the big deal is. I mean, fuck dude, I call my dogs (two poodles and a miniature Yorkie named Joker) niggers all the time man!" Marissa looked me dead in the eye at this, as a crocodile's smile finally revealed itself. "Sides...Why are we even talking right now? I don't see the point. You're wasting precious time that you could use to pack right now."
Paulo went for the door as I jumped up and cut him off at the pass, giving him my back to consider. "Plunge the knife deeper." I said, as I made my way for the room. "Fucking Judas!" I knew right away, he would not understand the Biblical reference.
But then, there were many things that Paulo misunderstood and of course, as often is the case, his stupidity was not all of his own measure, but more or less a by-product of his superfluous upbringing. Once, he had recanted a story from his youth, where he was accosted by the A.P.D. for methamphetamine possession and distribution within 1,000 yards of a local school district. The charges were very severe and in a bout with desperation while incarcerated, he turned to the only person he felt he could rely upon, his father, who had reasonable connections within the judicial system.
"I'll get you out of this one. But I want you to stop fucking around and get your shit straight...or you're cut off. You hear me?"
Of course, Paulo agreed to the terms of his tenative release and as the years passed , tucked safely beneath the wings of famîliå and influence, turned his talents as a meth dealer into hard-nosed sales tactics at a print shop in Albuquerque. Unfortunately, the experience did little for his overall intelligence and made him even more obsessed with the American dollar-its subsequent influence and the almost euphoric sensation he received from constantly counting the odds and ends...
Labels:
Albuquerque,
FM,
police state,
roommates,
sativa,
sheeshah,
solidarity,
theft,
wine
Monday, September 12, 2011
3 Poems from Misti Rainwater-Lites
Dead Like Bacon
Most of the marriages around me are dead like
chewy not crispy bacon and I’m not talking
about the bacon you put in the goddamn
microwave I’m talking serious old school
skillet sizzling thick slab real pork not turkey
bacon here. Marriages are dead and not
fertilizing much of anything. Take Mark
his wife is beautiful the stuff of mythology
and I’m not talking about Medusa or Baba
fuckin’ Yaga. I’m talking Betty Boop but
with a smaller head. Mark’s wife is one
bodacious bitch but his hands were all
over my thighs as the three of us looked
up at the stars from the bed of my truck
and she was too spaced out on pineapple
wine coolers to notice. When it comes time
to find a lost jean jacket men get bitter
about it, though, bring up shit that has been
stewing in the pot since 1989 when Vanilla
Ice was all the rage and people were talking
about all the fun kinds of condom that could
be had for free if you were ballsy enough
to grab them from the basket. Women, petty
creatures that we are, get bitter about much
lesser things.
Saturday Night in Shitsville, USA
We was all just sittin' around the chickenshack shootin' the shit slammin' them moonshine shooters talkin' bout better days when stamps were licked and balls were kicked when a goddamn blaster worm screamed somethin' we no could decipher, somethin' bout how we is all a bunch of fuckin' sorry excuses for human beans.
My Lipstick on Her Left Tit
He was paying he was telling me
how wet her pussy was
and the music sucked
but she was eighteen
and on his lap and in my face
with her sweet soft tits
her abs you could balance
a tumbler of Maker's Mark on
so what else
would I do.
*coupon not valid outside The Arabic Emirates/purchase required/see back for details
Labels:
bacon,
chicken,
lipstick,
Maker's Mark,
Misti Rainwater-Lites,
moonshine,
texas,
tits,
worm
Subscribe to:
Posts (Atom)